Wikipedia about "Twisted Repairs"

His debut Album-Release "Twisted Repairs" draws a sharp line between the musical styles of labels such as Rephlex and Certificate 18. It features elements of IDM, Techstep, Drum'n'Bass and some vocal production. It also features very sophisticated beat-programming and a unique editing where every sound has a meaningful feel to it. Bob Humid has an obvious obsession for Funk within 4/4th metrics and a digital... more...

Wikipedia about "Twisted Repairs"

His debut Album-Release "Twisted Repairs" draws a sharp line between the musical styles of labels such as Rephlex and Certificate 18. It features elements of IDM, Techstep, Drum'n'Bass and some vocal production. It also features very sophisticated beat-programming and a unique editing where every sound has a meaningful feel to it. Bob Humid has an obvious obsession for Funk within 4/4th metrics and a digital production philosophy that he claims to be influenced a lot by Rupert Hine in his early 80ies phase. While being distrubted worldwide by Groove Attack these both debut albums have been solely promotet in Germany where they have been highly acclaimed by the local press. less

the term "concentration" is somewhat misunderstood in western thinking.

the term "concentration" is somewhat misunderstood in western thinking. the original meaning of establishing a state of "active" relaxation, which is the base of all successful acting itself, can be more literately understood as "de-concentrating". trying to move away from a paralysed state where we all are simply planning too much.

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the term "concentration" is somewhat misunderstood in western thinking.

the term "concentration" is somewhat misunderstood in western thinking. the original meaning of establishing a state of "active" relaxation, which is the base of all successful acting itself, can be more literately understood as "de-concentrating". trying to move away from a paralysed state where we all are simply planning too much.

skip into de-concentration-mode and enjoy a wide scale of extremely advanced electronic and electro-acoustical music by the SERVE & DESTROY studionerd-possee. the range of this in-depth developed compilation oscillates between the slick electro-ultrafunk of james-brown-re-digitali-carnation OLIVER BRAUN aka BEIGE, the mega-doped dub-electro by BOB HUMID, BIG CHIEF ELECTRIC's obsessive 8-Bit breakbeats and some very sophisticated sound-research scapes by CARLA SUBITO aka FETISCH PARK, LIQUID DIFFUSION and WALBRECHT & RICHERZHAGEN.

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Review by Sebastian Huhn

As soon as the first intricate rhythms of the opener ‘Recycle’ hit the ears there can be no doubt anymore that there are persons behind the knobs knowing their stuff absolutely, however there’s no need to conclude the album’s going to be a mind-focussed matter at all. Regardless of these overlapping structures and sounds the tracks are nowhere near exhausting. It’s quite the contrary; in fact they’re... more...

Review by Sebastian Huhn

As soon as the first intricate rhythms of the opener ‘Recycle’ hit the ears there can be no doubt anymore that there are persons behind the knobs knowing their stuff absolutely, however there’s no need to conclude the album’s going to be a mind-focussed matter at all. Regardless of these overlapping structures and sounds the tracks are nowhere near exhausting. It’s quite the contrary; in fact they’re maintaining a surprising sense of catchiness and intrigue in addition to that with the extremely haunting and pervasive vocals of TWILA.TOO herself. [Sebastian Huhn]

READ MORE at http://www.reflectionsofdarkness.com/index.php?option=com_content&task=view&id=5136&Itemid=44t less