Finnish producer Sasu Ripatti, perhaps best known as Vladislav Delay, has been presenting his experimental pop-house project Luomo to a world-wide audience with three albums as well as in critically acclaimed live performances since early 2000. He has worked with Craig Armstrong, Towa Tei, Ryuichi Sakamoto, Massive Attack, Scissor Sisters and many others. Sasu Ripatti has made the Luomo project to satisfy his pop teeth, and occasionally the seemingly shallow musical parts do appear, only to be fused within the depths of layered sound fields and arcane arrangements, all wrapped up together in pensive production qualities he's well known for. Being resistant to musical genres and not having any real models for Luomo, he's trying to create them by himself, to conceive his own slightly surreal, genre-blending musical universe, with slight references to various musical worlds past present and future. To create something different for the dance floor. One of the most distinguishing and unique factor about Luomo is the usage of human voice, the very sensitive and amazing instrument. The songs could be some consumer-friendly dance-pop if so wanted but in Luomo's world it turns into original and experimental dance floor beauty few dare to make, or can think of.