Born in Kingston, Jamaica, Horace Andy made his first recordings in the late sixties and lent his distinctive falsetto vocal style to many classic reggae productions for Phil Pratt, King Tubby and Prince Jammy. In the 1970s he relocated to London, where he, many years later, got in touch with Massive Attack and which secured him a younger generation of fans.
|
|
EUR
5,95
827670286325
in_stock
zero''
Tracks on "Dance Hall Style"
| 01 |
|
0,99 € |
|
|
|
|
| 02 |
|
0,99 € |
|
|
|
|
| 03 |
|
0,99 € |
|
|
|
|
| 04 |
|
0,99 € |
|
|
|
|
| 05 |
|
0,99 € |
|
|
|
|
| 06 |
|
0,99 € |
|
|
|
recommended
|
This Album is featured in Update #009:
Deadbeat, Fluxion, Kenny Knots
Forty years after their invention, dub techniques continue to shape some of the finest music out there, electronic and otherwise. Using the mixer as an instrument in more ways than one, Deadbeat sums up 15 years of electronic dub in his amazing 'Radio Rothko' more...
 |
The Editor, 2 years ago via zero-inch.com |
Recorded at the turn of the 70s, 'Dance Hall Style' is a landmark release in Horace Andy's career. Including classics like 'Spying Glass', which was later covered by Massive Attack, reworks of Bunny Lee songs and his take on the mighty Cuss Cuss riddim this album begs to be played over and over again.
|
|
The Editor, 2 years ago via zero-inch.com |
