His recordings as Convextion and E.R.P. have established Gerard Hanson as a singular voice in electronic music. Based in Dallas, Texas, his relative remoteness from the epicentres of club culture has allowed Hanson to maintain a unique perspective on deep and drifting techno and electro that mesmerises over your iPod earplugs as much as it is able to enchant Panorama Bar's early morning dance floor.

E.R.P. serves as Hanson's electro guise and after recent collaborations with Hardfloor the project now receives its latest outing on Frustrated Funk's sister imprint, Harbour City Sorrow.

Opener 'Lunar Ruins' takes the EP's most classical route, its interplay of funky bass stabs, 808 beats and transparent strings recalling the classic works of Elektroids and Dopplereffekt. 'Into the Distance' leans toward the deep end of techno reminiscent of Arne Weinberg or John Beltran, and the sliding synths of 'Mimosa Canopy' amount to pure hi-tech jazz. Excellent.

While Hardfloor's Oliver Bondzio has long been on record as an avid fan of Detroit-style electro, this release still comes as a bit of a surprise.

In preparation of their forthcoming 20th anniversary album the Düsseldorf-based duo of Bondzio and Ramon Zenker has teamed up with no other than Gerald Hanson, better known as Convextion and - when it comes to deep and moody electro - E.R.P.

It's a moniker Hanson hasn't been using all too frequently lately, and we're happy to see it return.

The single starts out with two slightly distinct E.R.P. mixes that strictly adhere to the Detroit electro formula of 808 beats, funked-up basslines and melancholy strings, but it's a recipe that Gerald Hanson has refined to perfection and which sees a flawless execution here.

The track's original album version employs a slightly straighter beat and adds a few melodic textures, some unsurprisingly originating from Hardfloor's insane collection of Roland TB-303s. Prominent acid lines however do not surface until Dynamik Bass System's remix, which features additional vocals by the Motor City's notorious electro crew Detroit-In-Effect.

All four mixes are equally recommendable for their distinct quality takes on classic electro, and if '4th Dimension Of The 5th Ward' is anything to go by, Hardfloor's forthcoming album could be well worth looking forward to.