London-based Edward Upton, better known as DMX Krew, Ed DMX, or simply Edmx, stepped into the limelight with his releases on the legendary Rephlex label, soon after starting his own imprint Breakin' Records. His fascination for electronic music started at the early age of 10, with synth-pop groups like Kraftwerk or Information Society, but also hip-hop artists like Erik B. & Rakim and Public Enemy - influences that can easily be discerned in the unique DMX sound, oscillating between funked-up synth-pop and dark and moody electro breaks.
The Album The March To The Stars
is featured in Update #044:
Essential 2010 Albums Now On Sale
We wish you an amazing 2011! To start the celebrations we have compiled 200 of our favourite albums of 2010 for our biggest ever New Year Sale!
From today on until January 16 all selected albums will be available for a special price - including many of the more...
The Album The March To The Stars
is featured in Feature #098:
Our Favourite Albums Of 2010 For A Special Price
It's time to celebrate the hot summer season with a big Summer Sale! Quench your thirst for awesome music with 100+ essential albums from 2010, available now for a special price until the end of August.
From Actress to Rudy Zygadlo, from Ellen Allien to more...
The Album The March To The Stars
was top 7 in Best Rated Releases of Week #17
The Album The March To The Stars
is featured in Update #014:
MAKING CONTAKT, Dettmann, The Black Dog, Caribou
Techno takes over the big screen - if anyone could ever be trusted to bring the club experience to a cinematic format, it is Richie Hawtin, and this is just what he did. 'MAKING CONTAKT' is the documentary film of his Minus label's monumental 10-year more...
The Album The March To The Stars
was picked!
The Album The March To The Stars
was reviewed:
Ed DMX returns with a great new full-length, packed to the rim with retro-futuristic electro tracks. 'The March To The Stars' is an entirely instrumental album, reliving the atmospheric synth operas of early 90s computer games. If only Soundblasters and SIDs had always sounded this fat!
