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One of the original sample based acts from the heady days when rave crossed into the big time, Bomb The Bass are responsible for one of the era's defining tunes - 'Beat Dis', but their legacy goes way beyond one track. Tim Simenon arguably kick started DJ culture in the UK, giving exposure and credibility to what was until then a bunch of faceless record spinners. With a creatively quiet period over the last 10 or so years, Bomb The Bass have recently returned to the fore with an album of completely non sampled music - 'Future Chaos'.
9 Releases, 30 Artists
So Special (Fakesch Remix)
EUR 0,99 DECY51002104 in_stock zero''
Track released on Musik Aus Strom
Musik Aus Strom in_stock Musik Aus Strom So Special (Fakesch Remix)
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19 April 2010
00:03:54
8.97 MB
MP3 (320 kbit/s)
0,99 €
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01:09:03
19 April 2010
9,99 €
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The Album Exchange is featured in Feature #098:
Our Favourite Albums Of 2010 For A Special Price
It's time to celebrate the hot summer season with a big Summer Sale! Quench your thirst for awesome music with 100+ essential albums from 2010, available now for a special price until the end of August. From Actress to Rudy Zygadlo, from Ellen Allien to more...
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Fantastish!!
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The Album Exchange is featured in Update #013:
Michael Fakesch, Funkstörung, Musik Aus Strom
With his brand-new remix album 'Exchange', Michael Fakesch brings himself to mind as one of the great innovators of broken beat electronica. From his 12-year-long history as one half of pioneering group Funkstörung, to his influential Musik Aus Strom label, more...
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The Album Exchange was picked!
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The Album Exchange was reviewed:
The art of remixing. Michael Fakesch's history in this field goes back to Funkstörung's famous version of Bjørk's 'All Is Full Of Love' in 1998 and has continued over the years with edits, versions and revamps for a who-is-who of international artists, both together with ex-partner Chris De Luca and as a solo artist.

'Exchange' collects 18 remixes produced by Fakesch using tracks by other artists, but given the fact that most of these are now released for the first time on this volume, and that most are complete recompositions, it can very much be seen as a new Michael Fakesch solo album - his first one in 3 years.

Mr. Oizo, Booka Shade, Towa Tei, Bomb The Bass, Matthew Herbert, Jimmy Edgar, Notwist, Jean-Jaques Perrey - the list of original artists featured on 'Exchange' already speaks volumes about the album's eclectic brilliance. What it can't convey however is the way in which Fakesch turns each of these remixes into a meticulously polished work of art.

Take Raz Ohara's 'The Burning (Desire)' for instance, where the indie folk original gets re-imagined by Fakesch as deep-house electro-funk cross-over. Fakesch always treats his sources with respect, managing to leave their essence intact but bending the rest to meet his (booty-fidget-tronica) ends. Remixing is indeed an artform, and Michael Fakesch is one of its prime practitioners.
The Editor, 2 years ago via zero-inch.com
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